{"id":10870,"date":"2018-03-28T11:07:21","date_gmt":"2018-03-28T15:07:21","guid":{"rendered":"https:\/\/www.altwire.net\/?p=10870"},"modified":"2023-12-06T06:39:50","modified_gmt":"2023-12-06T11:39:50","slug":"album-review-of-montreal-white-is-relic-irrealis-mood","status":"publish","type":"post","link":"https:\/\/altwire.net\/ru\/album-review-of-montreal-white-is-relic-irrealis-mood\/","title":{"rendered":"[Album Review] of Montreal – White is Relic\/Irrealis Mood"},"content":{"rendered":"

From Athens, Georgia is the band of Montreal<\/strong> which come radiantly from within the depths of recurrent mind-binding musical trips which are in consequence of inspired 60\u2019s psychedelic indie pop. Founded by vocalist and multi-instrumentalist, Kevin Barnes<\/strong> in 1996, of Montreal<\/strong> have gone on to release a mix of over a dozen albums and EPs since 1996, and on the 9th of March 2018, they\u2019ve released their latest studio album, White is Relic\/Irrealis Mood<\/em>.<\/p>\n

Said to be inspired by the dance mix tapes of the 1980\u2019s, and a collection of artists and writings such as Ta-Nehisi Coates, White Is Relic\/Irrealis Mood<\/em> comes in with a total of only 6 tracks, but all hit well above the 5 minute mark. The album features a collection of \u201csplit-tracks\u201d, tracks which are divided into several pieces, sometimes in melodies, others in instrumentation and title, for example the album starts off with the track \u201cSoft Music\/Juno Portraits of the Jovian Sky.\u201d<\/p>\n

\u0421 Kevin Barnes<\/strong> quietly singing:<\/p>\n

\u201cSoft music drains the oxygen from besieged Bushwick streets,
\nreflexively retching Anglo influx, though there will be no gentrificating
\nof graffitied worship of summer love.
\nIt’s hard to stop the triggering of one’s self-destructive urges.\u201d<\/i><\/p>\n

\u201cSoft Music\/Juno Portraits Of The Jovian Sky \u201c is clearly an indie pop track that contains a mix of intimate and personal lyrics, and it is also underlined by psychedelic bass-lines and the sometimes stoic but more frequently ardent vocals and melodies which support it.<\/p>\n

At the albums midpoint is \u201cWriting the Circles\/Orgone Tropics\u201d, which is a progressive indie pop track with lyrics such as \u201cDid it happen the way we wanted? Maybe not. Maybe I love you like I love myself, not a lot.\u201d<\/em> which are filled with narcissism, but conversely, later in the track the chorus brings in a welcome amount of self reflection where Kevin sings to himself:<\/p>\n

\u201cDon’t complain about your personal hell.
\nYou should be grateful you don’t have to share one
\nNaturally, it’s starting burn though
\nWriting the circles of your inferno
\nThis acute loneliness that you feel
\nHas nothing to do with other people
\nA foundational flaw, I wish you
\nCould understand, it’s really the issue\u201d<\/i><\/p>\n

Ending the album is “If You Talk to Symbol\/Hostility Voyeur”, and it is the longest track on the album coming in at eight minutes and thirty two seconds, and throughout that length the track makes evident that it is the albums greatest highlight and it is one of the most brilliant and inspiring tracks featured within its short track-list. The beginnings of the song are submerged in 80\u2019s style synth-lines and ghostly melodies, that by the end of the track evolve into dark percussion, and then finally settles on a brilliant jazzy saxophone solo.<\/p>\n

\u041f\u043e\u043a\u0430 White is Relic\/Irrealis Mood<\/em> contains a short track length, the quality of each track more than makes up for any such shortcoming, and the album proves to be one of the band’s best since the release of their 2007 album Hissing Fauna, Are You the Destroyer?<\/em><\/p>\n

\u041e\u0441\u043d\u043e\u0432\u043d\u044b\u0435 \u0442\u0440\u0435\u043a\u0438:<\/strong><\/p>\n

Soft Music\/Juno Portraits of the Jovian Sky
\nIf You Talk to Symbol\/Hostility Voyeur<\/p>","protected":false},"excerpt":{"rendered":"

From Athens, Georgia is the band of Montreal which come radiantly from within the depths of recurrent mind-binding musical trips … \u0427\u0438\u0442\u0430\u0442\u044c \u0434\u0430\u043b\u0435\u0435<\/a><\/p>\n","protected":false},"author":44,"featured_media":10871,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","transcript_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-10870","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/altwire.net\/ru\/wp-json\/wp\/v2\/posts\/10870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/altwire.net\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/altwire.net\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/altwire.net\/ru\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/altwire.net\/ru\/wp-json\/wp\/v2\/comments?post=10870"}],"version-history":[{"count":0,"href":"https:\/\/altwire.net\/ru\/wp-json\/wp\/v2\/posts\/10870\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/altwire.net\/ru\/wp-json\/wp\/v2\/media\/10871"}],"wp:attachment":[{"href":"https:\/\/altwire.net\/ru\/wp-json\/wp\/v2\/media?parent=10870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/altwire.net\/ru\/wp-json\/wp\/v2\/categories?post=10870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/altwire.net\/ru\/wp-json\/wp\/v2\/tags?post=10870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}