Itโs fair to say that Shinedown are the kind of band where you know exactly what you pay for. Mixing hard rock with flavours of heavier post-grunge, The Sound of Madness effectively stands as a near-perfect example of fun and catchy rock music; it wasnโt anything revolutionary, but that was hardly the point โ youโre here to have a good time, and Shinedown were pretty damn good at that. Fast-forward a decade, and despite what some have considered a misstep with tamer 2015 effort, Threat to Survival, the Jacksonville hard rockers are still going strong if Attention Attentionโs โDevilโ is anything to go by. Indeed, the slick Zach Myers guitar riff and explosive Barry Kerch percussion saw the band returning to exactly the kind of sound that made the likes of โDevourโ so much fun, and with vocalist Brent Smith roaring โcause itโs about to get heavyโ it certainly appears that Shinedownโs sixth studio effort is going to be a hell of a ride.
Regarded as something of a concept record by the band, and focusing on the struggles of overcoming personal negativity, Attention Attentionโs hefty collection of 14 tracks quickly sheds the far safer direction of Threat to Survival, and this is certainly rewarding; โPyroโ and โBlack Soulโ both benefit immensely from allowing guitarist Zach Myers a little more room to stretch out and put some really solid riffs on the table, while โThe Human Radioโs huge, Royal Blood-esque bass guitar sees Eric Bass stepping into the limelight a little to an extremely satisfying result. At a glance, the band definitely feels reenergised, far more akin to The Sound of Madnessโ heavier territory and seemingly delivering on their promise: โitโs about to get heavy.โ
Continuing this frame of mind and true to the assured direction of the album, the thunderous and somewhat cinematic โEvolveโ roars triumphantly and embraces the signature Shinedown hard rock delivery, while โMonstersโ joins the ranks of ะกะบะพะฒะพัะพะดะบะฐโs โMonsterโ and Three Days Graceโs โAnimal I Have Becomeโ with Smith lyrically dehumanising the negative side to human personality. Taking a more mellow approach, โKill Your Conscienceโ flows back and forth between soft synthesisers and a more energetic, percussion-driven pre-chorus, and generally makes for a nice change of pace, while album closer โBrilliantโ dabbles ever so slightly in โSummer of 69โs classic guitar riff, before leaping into far more recognisable post-grunge Shinedown territory and ending the record on a noteworthy high.
Unfortunately, while Attention Attention shows once again that Shinedown definitely have a knack for getting your attention, where the album falters shows in what seems a classic case of quantity over quality; while the albumโs 14 tracks (and 50 minute runtime) is certainly generous, it also feels somewhat oversaturated compared to the far brisker 40 minute runtime of Threat to Survival. This is first indicated ironically through title track โAttention Attentionโ, feeling much more like an underdeveloped addition to the album or even an unused Threat to Survival B-side, while โGet Upโ and โSpecialโ both try their hand at being a little softer compared to the albumโs heavier style and end up not really achieving anything worthwhile as a result. That being said, โSpecialโ does actually utilise some particularly stunning acoustic and string elements, but the self-congratulatory applause at the end of the track feels just a little too much on the nose and comes across somewhat hubristic.
As a whole, Attention Attention is an easy step up from the bandโs previous effort and offers something that is generally fun and rewarding; itโs nothing revolutionary or ground-breaking, but then it was never going to be. It may not be a perfect record, but thereโs enough here to get into that will appease any Shinedown fan, and the bandโs energy is infectious enough to hold your attention. In short, itโs everything it needed to be to be a Shinedown record, albeit a little overlong and perhaps a little too pleased with itself at times, but plenty enjoyable to warrant more than a few listens.