AltWire ะผะพะถะตั‚ ะฟะพะปัƒั‡ะฐั‚ัŒ ะฝะตะฑะพะปัŒัˆัƒัŽ ะบะพะผะธััะธัŽ ั ะฟะพะบัƒะฟะพะบ, ัะพะฒะตั€ัˆะตะฝะฝั‹ั… ะฟะพัะปะต ะฝะฐะถะฐั‚ะธั ะฒะฐะผะธ ััั‹ะปะบะธ ะฝะฐ ัั‚ะพะน ัั‚ั€ะฐะฝะธั†ะต.

[ะžะฑะทะพั€ ะฐะปัŒะฑะพะผะฐ] ะŸะฐะดะตะฝะธะต ั ะดะตั€ะตะฒัŒะตะฒ โ€“ ะ‘ะตััะพะฝะฝั‹ะต ะฝะพั‡ะธ

ะŸะพัะปะตะดะฝะตะต ะพะฑะฝะพะฒะปะตะฝะธะต:

ะบ ะœ. ะกั‚ะพัƒะฝะผะตะฝ

As a creator, your earliest ventures can either be something to be proud of or what eventually cause you to shudder in disapproval in the years to come. Itโ€™s natural to feel that your latest achievement should be (at least up to this point) the best representation of your ability in virtually anything โ€“ creative or not. Youโ€™ve developed, youโ€™ve grown and changed, and you always aim for what comes next to be for the better. After all, your past is to be learned from, not to be dwelled too heavily upon.

In fleshing out the group by recruiting two new members and moving on from the initial folk-rock roots explored as a trio, if it wasnโ€™t already obvious from the groupโ€™s debut single as a five-piece, โ€˜Dirty Footprintsโ€™, ะŸะฐะดะตะฝะธะต ั ะดะตั€ะตะฒัŒะตะฒ have changed. Sure, the soulful vocal delivery of Rebecca White remains as prominent as before, harmonized wonderfully with siblings Adam ะธ Leo to add emotional weight to the likes of โ€˜Rainfallโ€™ or โ€˜On and Onโ€™, but โ€˜Dirty Footprintsโ€™ is a different breed. While former EPโ€™s On and On ะธ Words generally revolved around exquisite and mellow acoustic performances, โ€˜Dirty Footprintsโ€™ uproots this instantly with raw energy: full of soul and renewed vigor, and hugely helped by the inclusion of newest members Joey Scampion ะธ Sam Ball (on bass and drums, respectively), โ€˜Dirty Footprintsโ€™ twangy guitar riffs and โ€˜The Chainโ€™-esque bass-heavy breakdown quickly displays the attitude of a band moving on to fresh and new horizons and being very excited to do so.

โ€˜Simple Rulesโ€™ continues this attitude. Opening the five-pieceโ€™s โ€˜debutโ€™ EP Sleepless Nights with blues-infected, twangy guitar riffs of Leo ะธ Adam White, the track takes its time in reintroducing the band, stretching out and exploring the newly included energetic percussion and smooth underlying bass riffs, with a slight hint of cocky southern rock in the air which is delightfully attention-grabbing in doing so. If it wasnโ€™t โ€˜Dirty Footprintsโ€™ that re-established ะŸะฐะดะตะฝะธะต ั ะดะตั€ะตะฒัŒะตะฒ, โ€˜Simple Rulesโ€™ certainly does a damn good job of it while opening Sleepless Nights.

Continuing through the album, โ€˜The Last Dayโ€™s fluttery opening guitar-work and confident drumline immediately feels reminiscent of the likes of Black Rebel Motorcycle Clubโ€™s โ€™20 Hoursโ€™, but a fun stop-start chorus and catchy guitar solo launches the track into more upbeat territory, while โ€˜Shaking Linesโ€™ fully embraces an infectious blues rock attitude, and alongside one of the catchiest choruses on the EP, makes for an extremely fun ride. And yet, while these both offer plenty as equally enjoyable material, where Sleepless Nights truly offers its best is found on โ€˜Lying Awakeโ€™: at just shy of six minutes, the track takes its time in savoring the moody aesthetics of rich bass guitar-work and gently delivered guitar arpeggios that establish a far more solemn mood compared to the energy of โ€˜Simple Rulesโ€™ or โ€˜Dirty Footprintsโ€™, with the chorus being a furious, distortion-heavy outburst of โ€œhow do you know where youโ€™re going, if you donโ€™t know where youโ€™ve been?โ€ Itโ€™s easily the most introspective track lyrically, and while much of Sleepless Nights wants to make you jump, like โ€˜Rainfallโ€™ of Words, โ€˜Lying Awakeโ€™ is here to make you sway.

As a whole, while there are certainly hints of earlier ะŸะฐะดะตะฝะธะต ั ะดะตั€ะตะฒัŒะตะฒ material that remains stylistically relevant to the group, Sleepless Nights is easily the โ€˜debutโ€™ that establishes the bandโ€™s true intentions musically. Overall, the tracks are far more fleshed out, aesthetically having far more to offer, exploring instrumental textures and ideas that were otherwise not available on previous EPโ€™s, and the energy of the bandโ€™s dynamic is to be applauded. While thereโ€™s likely to be further progress made on the road ahead, there has undoubtedly been significant growth here, with the EP acting as an excellent representation of the bandโ€™s ability. As an early offering of what will hopefully become a long series of ventures musically, this is a body of work to be proud of in the years to come and as a reintroduction to ะŸะฐะดะตะฝะธะต ั ะดะตั€ะตะฒัŒะตะฒ, Sleepless Nights is exactly what it needed to be.

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