{"id":99,"date":"2013-10-08T04:11:41","date_gmt":"2013-10-08T04:11:41","guid":{"rendered":"http:\/\/www.altwire.net\/?p=99"},"modified":"2015-02-16T22:10:37","modified_gmt":"2015-02-17T03:10:37","slug":"arcade-fire-brings-the-disco-in-newest-single","status":"publish","type":"post","link":"https:\/\/altwire.net\/fr\/arcade-fire-brings-the-disco-in-newest-single\/","title":{"rendered":"Arcade Fire &#8211; &#8220;Reflektor&#8221; [Single] (2013)"},"content":{"rendered":"<p>It&#8217;s fair to say that Arcade Fire&#8217;s third major album release, 2010&#8217;s\u00a0<em>The Suburbs<\/em>, \u00a0solidified their place in alternative rock&#8217;s history and is now at the forefront of mainstream music. \u00a0Now, three years later and with a Grammy for Album of the Year under their belt, the Canadian collective is back and with a new single. <em>Reflektor<\/em>, co-produced by long-time Arcade Fire collaborator Markus Dravs, former LCD Soundsytem frontman James Murphy and the band themselves, really packs the punches and will no doubt make some &#8220;best of&#8221; lists in the next few months.<\/p>\n<p>Clocking in at over 7 minutes in length, the first lines are delivered in an almost eerie whisper. Frontman Win Butler and his wife\/frontwoman Regine Chassagne&#8217;s vocals are spread over ringing keyboards and the sharp intake of strings. In keeping with Chassagne&#8217;s Haitian-Quebecois heritage, the song features French lyrics and the beat of jungle-infused drums.<\/p>\n<p><em>Reflektor<\/em>\u00a0seems to borrow the same sound the band previously used on one of the standout numbers on\u00a0<i>The Suburbs,<\/i> the very fun, catchy &#8220;<em>Sprawl II<\/em>\u00a0(<em>Mountain<\/em>m<em> Beyond Mountains<\/em>)&#8221;. Incorporating the same type of disco-infused rock as The Rolling Stones&#8217;\u00a0&#8220;<em>Miss Me<\/em>&#8221; and even the darkness of Blondie&#8217;s &#8220;<em>Rapture&#8221;<\/em>, the band takes a much-hated genre among alternative\/indie music listeners and makes it somehow very bearable and very listenable.<\/p>\n<p>While the song itself may have somewhat of a &#8220;dancey&#8221; vibe to it, the lyrics suggest some questioning among Butler and his feelings toward Chassagne.<\/p>\n<p style=\"text-align: center;\">&#8220;<em>We&#8217;re still connected<\/em><\/p>\n<p style=\"text-align: center;\"><em>But are we even friends?<\/em><\/p>\n<p style=\"text-align: center;\"><em>We fell in love when I was nineteen<\/em><\/p>\n<p style=\"text-align: center;\"><em>And I was staring at a screen<\/em>&#8220;<\/p>\n<p>Butler even goes as far to suggest that making music without her, or maybe even without the band, could affect him negatively or cause an outcry from the public.<\/p>\n<p style=\"text-align: center;\"><em>&#8220;I want to break free<\/em><br \/>\n<em>But will they break me?&#8221;<\/em><\/p>\n<p>Taking into consideration the dark undertone of the lyrics but the funky bounce of the actual music, it would be safe to consider\u00a0<em>Reflektor<\/em>\u00a0&#8220;the gloomiest disco song of 2013&#8221; , if there is even such a category. The song itself stands out for many reasons, but if you listen carefully, for only a few seconds, you&#8217;ll probably recognize a familiar voice. Yes, that would be David Robert Jones, or as you might know him&#8230;. David Bowie.<\/p>\n<p>This would easily be a 10\/10 for me if it wasn&#8217;t for the fact that this song pretty damned long and listening to it twice requires fifteen minutes of your time. Solid work from one of the better bands out there.<\/p>","protected":false},"excerpt":{"rendered":"<p>It&#8217;s fair to say that Arcade Fire&#8217;s third major album release, 2010&#8217;s\u00a0The Suburbs, \u00a0solidified their place in alternative rock&#8217;s history &#8230; <a title=\"Arcade Fire &#8211; &#8220;Reflektor&#8221; [Single] (2013)\" class=\"read-more\" href=\"https:\/\/altwire.net\/fr\/arcade-fire-brings-the-disco-in-newest-single\/\" aria-label=\"More on Arcade Fire &#8211; &#8220;Reflektor&#8221; [Single] (2013)\">Read more<\/a><\/p>\n","protected":false},"author":44,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","transcript_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-99","post","type-post","status-publish","format-standard","hentry","category-album-reviews","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/posts\/99","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/comments?post=99"}],"version-history":[{"count":0,"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/posts\/99\/revisions"}],"wp:attachment":[{"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/media?parent=99"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/categories?post=99"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/tags?post=99"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}