{"id":12074,"date":"2019-10-24T12:00:56","date_gmt":"2019-10-24T16:00:56","guid":{"rendered":"https:\/\/www.altwire.net\/?p=12074"},"modified":"2022-12-26T13:45:59","modified_gmt":"2022-12-26T18:45:59","slug":"boysetsfires-after-the-eulogy-and-tomorrow-come-today-make-their-vinyl-debut-press-release","status":"publish","type":"post","link":"https:\/\/altwire.net\/fr\/boysetsfires-after-the-eulogy-and-tomorrow-come-today-make-their-vinyl-debut-press-release\/","title":{"rendered":"Boysetsfire\u2019s After The Eulogy And Tomorrow Come Today  Make Their Vinyl Debut [Press Release]"},"content":{"rendered":"<p><strong>Craft Recordings<\/strong> is pleased to announce reissues of <strong>Boysetsfire<\/strong>\u2019s second and third albums, <strong><em>After the Eulogy <\/em><\/strong>and <strong><em>Tomorrow Come Today<\/em><\/strong><em>, <\/em>in celebration of the post-hardcore band\u2019s 25<sup>th<\/sup> anniversary. Set for release on<strong> December 6<\/strong><strong><sup>th<\/sup><\/strong> and available on vinyl for the very first time, both reissues have been remastered by GRAMMY\u00ae Award-winning engineer Paul Blakemore. Each album features new interviews with band members and in-depth liner notes from Jan Schwarzkamp, editor of Germany\u2019s <em>VISIONS <\/em>music magazine, plus archival photos of the band. Later this fall, the Delaware five-piece will kick off an 11-date tour in Garwood, NJ, with shows continuing throughout Europe (tour dates below).<\/p>\n<p>Both titles are available to pre-order now, <a href=\"http:\/\/found.ee\/boysetsfire-ate-r\" data-lasso-id=\"2426\" data-old-href=\"http:\/\/found.ee\/boysetsfire-ate-r\" data-old- rel=\"noopener\"><strong>click here<\/strong><\/a> <strong>for <em>After the Eulogy<\/em><\/strong>, or <a href=\"http:\/\/found.ee\/boysetsfire-tct-r\" data-lasso-id=\"2427\" data-old-href=\"http:\/\/found.ee\/boysetsfire-tct-r\" data-old- rel=\"noopener\"><strong>here<\/strong><\/a><strong> for <em>Tomorrow Come Today<\/em><\/strong>. In addition to the standard black vinyl editions, the band will offer limited edition colored vinyl pressings via the official <a href=\"http:\/\/found.ee\/boysetsfire-official-r\" data-lasso-id=\"2428\" data-old-href=\"http:\/\/found.ee\/boysetsfire-official-r\" data-old- rel=\"noopener\">Boysetsfire store<\/a> and on tour (while supplies last). <em>After the Eulogy <\/em>is available in olive-green splatter or translucent purple haze, while <em>Tomorrow Come Today <\/em>is available in a rainbow red splatter or translucent marbled turquoise. These four special pressings are limited to 500 copies each.<\/p>\n<p>Formed in 1994 by singer Nathan Gray, guitarists Josh Latshaw and Chad Istvan, bassist Darrell Hyde, and drummer Matt Krupanski, Boysetsfire marries old-school hardcore with melodic, punk-rock hooks and politically charged, socially conscious lyrics. The band released their debut full-length, <em>The Day the Sun Went Out, <\/em>in 1997, and soon captured the attention of a loyal fanbase, thanks to their intense live shows and their passionate, left-wing messages. Following a successful run with the Vans Warped Tour, the group released their sophomore effort, 2000\u2019s <em>After the Eulogy<\/em>, which <em>Kerrang!<\/em> magazine describes as \u201cone of the most formidable records of its time.\u201d<\/p>\n<p>Frustrated by an overall sense of political apathy in the hardcore and punk scenes at the turn of the millennium, <em>After the Eulogy <\/em>served as a call to action. \u201cNo other bands were really singing about political issues, social issues,\u201d recalls Nathan Gray, in Schwarzkamp\u2019s liner notes. \u201cIt wasn\u2019t like a hardcore\/punk scene that you might see somewhere else\u2026 I wanted [our fans] to get angry. Why aren\u2019t you pissed off about what you\u2019re seeing? That doesn\u2019t affect you? How does that not affect you?\u201d Originally released on Victory Records, <em>After the Eulogy<\/em> pushed Boysetsfire to the next level, not only raising their profile domestically but also in Europe\u2014particularly in Germany.<\/p>\n<p>For their next record, 2003\u2019s <em>Tomorrow Come Today<\/em>, the band took a new direction and went into the studio with producer Dave Fortman, who has since worked on such multi-platinum releases as Evanescence\u2019s <em>Fallen<\/em> and <em>The Open Door<\/em>, as well as Slipknot\u2019s <em>All Hope is Gone<\/em>. A more melodically accessible record than their earlier releases, <em>Tomorrow Come Today<\/em> featured the tracks \u201cHandful of Redemption,\u201d \u201cHigh Wire Escape Artist\u201d and \u201cRelease the Dogs.\u201d The album marked the band\u2019s brief stint at Wind-Up Records\u2014a time which brought them greater commercial success but was ultimately not a creative match. This reissue of the album also includes \u201cWith Every Intention\u201d\u2014originally a hidden track following the song \u201cOn in Five.\u201d<\/p>\n<p>In 2006, after the release of the band\u2019s fourth LP, <em>The Misery Index: Notes From the Plague Years<\/em>, Boysetsfire announced their retirement. Members of the group would go on to form new projects over the next few years. However, in 2010, the band reunited for a tour and began recording together once again, releasing new EPs and two full-lengths in 2013 and 2015, respectively. Now, with a current lineup that includes Gray, Latshaw and Istvan, as well as bassists Robert Ehrenbrand and Chris Rakus, and drummer Jared Shavelson, Boysetsfire is gearing up for a fall tour, primed as ever to bring their music and message to the US and Europe.<\/p>\n<p>Visit <a href=\"http:\/\/boysetsfire.net\/\" data-lasso-id=\"2429\" data-old-href=\"http:\/\/boysetsfire.net\/\" data-old- rel=\"noopener\">Boysetsfire.net<\/a> for tickets more information.<\/p>\n<p><strong>Tour Dates:<\/strong><\/p>\n<p>November 22: Garwood, NJ, USA: Crossroads<\/p>\n<p>November 28: W\u00fcrzburg, Germany: Posthalle<\/p>\n<p>November 29: Cologne, Germany: Palladium<\/p>\n<p>November 30: London, UK: The Underworld<\/p>\n<p>December 1: Amsterdam, The Netherlands: Melkweg<\/p>\n<p>December 2: Hamburg, Germany: Grosse Freheit<\/p>\n<p>December 3: Leipzig, Germany: Werk 2<\/p>\n<p>December 4: Vienna, Austria: Arena<\/p>\n<p>December 5: Munich, Germany: Tonhalle<\/p>\n<p>December 6: M\u00fcnster, Germany: Staters Palace<\/p>\n<p>December 7: Wiesbaden, Germany: Schlachthof<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Track Listing &#8211; <em>After The Eulogy<\/em>:<\/strong><\/p>\n<p><strong>CD<\/strong><\/p>\n<ol>\n<li>After The Eulogy<\/li>\n<li>Rookie<\/li>\n<li>Pariah Under Glass<\/li>\n<li>When The Rhetoric Dies<\/li>\n<li>Still Waiting For The Punchline<\/li>\n<li>The Abominations Of Those Virtuous<\/li>\n<li>Our Time Honored Tradition Of Cannibalism<\/li>\n<li>(Compassion) As Skull Fragments On The Wall<\/li>\n<li>My Life In The Knife Trade<\/li>\n<li>Across Five Years<\/li>\n<li>Twelve Step Hammer Program<\/li>\n<li>Unspoken Request<\/li>\n<li>The Force Majeure<\/li>\n<\/ol>\n<p><strong>LP<\/strong><\/p>\n<p><strong>Side A<\/strong><\/p>\n<ol>\n<li>After The Eulogy<\/li>\n<li>Rookie<\/li>\n<li>Pariah Under Glass<\/li>\n<li>When The Rhetoric Dies<\/li>\n<li>Still Waiting For The Punchline<\/li>\n<li>The Abominations Of Those Virtuous<\/li>\n<li>Our Time Honored Tradition Of Cannibalism<\/li>\n<\/ol>\n<p><strong>Side B<\/strong><\/p>\n<ol>\n<li>(Compassion) As Skull Fragments On The Wall<\/li>\n<li>My Life In The Knife Trade<\/li>\n<li>Across Five Years<\/li>\n<li>Twelve Step Hammer Program<\/li>\n<li>Unspoken Request<\/li>\n<li>The Force Majeure<\/li>\n<\/ol>\n<p><strong>Track Listing &#8211; <em>Tomorrow Come Today<\/em>:<\/strong><\/p>\n<p><strong>CD<\/strong><\/p>\n<ol>\n<li>Eviction Article<\/li>\n<li>Last Year\u2019s Next<\/li>\n<li>Full Color Guilt<\/li>\n<li>Bathory\u2019s Sainthood<\/li>\n<li>Dying On Principle<\/li>\n<li>Handful Of Redemption<\/li>\n<li>Release The Dogs<\/li>\n<li>Foundations To Burn<\/li>\n<li>Management vs. Labor<\/li>\n<li>High Wire Escape Artist<\/li>\n<li>White Wedding Dress<\/li>\n<li>On In Five<\/li>\n<li>With Every Intention<\/li>\n<\/ol>\n<p><strong>LP<\/strong><\/p>\n<p><strong>Side A<\/strong><\/p>\n<ol>\n<li>Eviction Article<\/li>\n<li>Last Year\u2019s Nest<\/li>\n<li>Full Color Guilt<\/li>\n<li>Bathory\u2019s Sainthood<\/li>\n<li>Dying On Principle<\/li>\n<li>Handful Of Redemption<\/li>\n<li>Release The Dogs<\/li>\n<\/ol>\n<p><strong>Side B<\/strong><\/p>\n<ol>\n<li>Foundations To Burn<\/li>\n<li>Management Vs. Labor<\/li>\n<li>High Wire Escape Artist<\/li>\n<li>White Wedding Dress<\/li>\n<li>On In Five<\/li>\n<li>With Every Intention<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Craft Recordings is pleased to announce reissues of Boysetsfire\u2019s second and third albums, After the Eulogy and Tomorrow Come Today, &#8230; <a title=\"Boysetsfire\u2019s After The Eulogy And Tomorrow Come Today  Make Their Vinyl Debut [Press Release]\" class=\"read-more\" href=\"https:\/\/altwire.net\/fr\/boysetsfires-after-the-eulogy-and-tomorrow-come-today-make-their-vinyl-debut-press-release\/\" aria-label=\"More on Boysetsfire\u2019s After The Eulogy And Tomorrow Come Today  Make Their Vinyl Debut [Press Release]\">Read more<\/a><\/p>\n","protected":false},"author":44,"featured_media":12075,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","transcript_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-12074","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/posts\/12074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/comments?post=12074"}],"version-history":[{"count":0,"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/posts\/12074\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/media\/12075"}],"wp:attachment":[{"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/media?parent=12074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/categories?post=12074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/altwire.net\/fr\/wp-json\/wp\/v2\/tags?post=12074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}