{"id":8519,"date":"2017-03-26T21:37:09","date_gmt":"2017-03-27T01:37:09","guid":{"rendered":"http:\/\/www.altwire.net\/?p=8519"},"modified":"2023-12-06T06:38:30","modified_gmt":"2023-12-06T11:38:30","slug":"altwire-interview-amy-lee-2","status":"publish","type":"post","link":"https:\/\/altwire.net\/es\/altwire-interview-amy-lee-2\/","title":{"rendered":"Entrevista a Amy Lee: Libertad art\u00edstica y nueva m\u00fasica"},"content":{"rendered":"<h4>As arguably one of the best voices in music today, <a href=\"https:\/\/amyleeofficial.com\" rel=\"noopener\">Amy Lee<\/a> manages to add a unique element to any music she touches, through her skillful vocals, unbridled creativity, and emotionally engaging songwriting that fans across the world have grown to love since 2003.<\/h4>\n<p>But while many may appreciate Amy Lee for her range, it is not just only her voice that sets her apart from the crowd, as <a href=\"https:\/\/altwire.net\/2016\/10\/12\/altwire-interview-amy-lee-evanescence\/\" data-lasso-id=\"1528\" data-old-href=\"https:\/\/altwire.net\/2016\/10\/12\/altwire-interview-amy-lee-evanescence\/\" data-old->I found out in our first interview last October<\/a> when Amy had a three minute off the record conversation with me about my father, who passed away unexpectedly in April 2016.<\/p>\n<p>While the exchange was not included in the printed interview, the experience was humbling and I left that interview feeling an even deeper admiration for Amy Lee as a person. When I recently was contacted to interview Amy Lee again to promote her latest track <em>Speak To Me<\/em>, it was an opportunity I accepted without a second thought.<\/p>\n<p>Read below as Amy Lee and I discuss her creative process, her inspiration for Speak To Me, and the upcoming Evanescence music set to drop later this year.<\/p>\n<p><strong>&nbsp;Derek Oswald [AltWire]: Let\u2019s start off by talking about <em>Voice From The Stone<\/em>. How is it that you first became involved with this project?<\/strong><\/p>\n<p><strong>Amy Lee [Evanescence \/ Solo Artist]:<\/strong> Man, it\u2019s so cool when it happens like this. The director felt inspired about me and thought of me and had this idea to have me try to do a song for his movie. So he got hold of me and showed me the film while they were still working on it to see if I liked it or if I had an idea, and I was immediately just sucked into the story. It\u2019s so beautiful, so unique and you don\u2019t know what\u2019s happening next, and it\u2019s just a really good film.<\/p>\n<p>Being a new mom I had an extra level of inspiration about it, because basically this film is about a boy who lost his mother, and in his <a href=\"https:\/\/altwire.net\/es\/grieve-a-famous-person\/\">grieving<\/a>, he hasn\u2019t spoken since her death. So I\u2019m from the perspective of the mom, on the other side, singing to him.&nbsp; It&#8217;s sort of like their bond is so great, and their love is so big, that it\u2019s bigger than death.<\/p>\n<p>That to me was such a great inspiration that instantly I had ideas. I knew what I wanted it to feel like, and I spoke to Eric the director, and also Michael the score composer on the phone right after watching it. We talked about what they were imagining and what I was imagining and it was just really lining up. I was super excited, and I got off the phone, ran over to the piano, and had the initial idea that night, mocked up. Just the basics of it.<\/p>\n<p>Usually, the hard part is showing off that thing that you\u2019re quietly in love with, and hearing them go, \u2018Yeah, it\u2019s nothing like what I wanted.\u2019 But that didn\u2019t happen. They loved it and we were really on the same page from the beginning. That\u2019s just the beginning of the story. I could go on and on about the whole thing, but that\u2019s really how I got into it.<\/p>\n<p><strong>AW: This is certainly not your first foray into contributing to a soundtrack, as you previously provided music to the films <em>War Story<\/em> and <em>Indigo Grey. <\/em>But this time seems a lot more personal to you<em>. <\/em>Was there a stronger personal connection this time around? How would you say the creative experience for this song differed from your work on those other films? <\/strong><\/p>\n<p><strong>Amy Lee: <\/strong>I\u2019ll always get into it and try and find ways to be able to get myself where I need to be, but yes, this one I was literally connecting with in some ways, and it really just felt like it was meant to be. And you know what? Not only was it about a mother (and I\u2019m a new mom) but also the mother in this film was a famous classical musician. She was a singer and a piano player. So I was like \u2018COME ON!\u2019 [laughs] \u2018This is totally and in every way me!\u2019 Like, I could just see myself in this part.<\/p>\n<p>So that was really cool because as much as you could do with the song, I felt like I really was invited in to be a character in the film. You never hear her sing, but it\u2019s all in the backstory about her life. So when the song comes in and it begins with nothing but the vocals, no piano or anything, it\u2019s like you\u2019re hearing her voice for the first time. I feel it\u2019s so powerful and cool to be able to play that part a little bit.<\/p>\n<p><strong>AW: Your soundtrack and film score portfolio has grown consistently since 2013. Career-wise, do you see your future self musically heading more towards film scoring, or is there a part of you still hungry to record more solo records and Evanescence records?<\/strong><\/p>\n<p><strong>Amy Lee: <\/strong> I\u2019m hungry for both!&nbsp; I make these big projects &#8211; like an Evanescence album \u2013 and it\u2019s easy to get stuck in the process of it where it really does take a year and a half from the beginning to the very end of it. And that\u2019s awesome, but somewhere in the middle of that year and a half, there are all these moments where you feel like, \u2018Man, I wish I could do something completely different right now. I wish I had another outlet.\u2019 And that for a lot of my life has been the part where I paint, or do designs for clothing I\u2019m going to wear on stage or in a video\u2026 stuff like that.<\/p>\n<p>I have a lot of paintings in my house where you\u2019d never think it was \u2018the girl from Evanescence\u2019 doing them because they\u2019re very colorful. It\u2019s the opposite, almost like kids\u2019 stuff! The kids\u2019 album <em>Dream Too Much<\/em> incorporated a lot of my art design. They were renditions of my paintings, all those characters like the sheep, those are all paintings in my house.<\/p>\n<p>And the reason all those paintings really started is that I\u2019d be off making this huge, very dramatic, very soul-wrenching Evanescence album, and somewhere in the middle of it at some point, I just badly needed to be able to express the opposite emotion!<\/p>\n<p>So it\u2019s really nice for me to be able to be in this place where I feel like I can do anything at any time. Like, if I have this crazy idea to do a cover of Led Zeppelin\u2019s <em>Going To California<\/em>, or do a solo song because I heard it on the radio in Italian and I love it but I really want to do it in English and in a different way, I can do that and not feel like I\u2019m trapped inside a giant monster and I\u2019m only allowed to do that one thing. Or that the people around me only know how to market that one thing.<\/p>\n<p>I feel a lot of freedom right now! I feel like anything is possible and it makes me enjoy the Evanescence part a lot more because I feel like the only reason I\u2019m doing it is that I want to be doing it, not because I have to in any way. So we\u2019ve been having a lot of fun doing the Evanescence stuff. We\u2019ve gotten together to play shows the last couple of years off and on, and it\u2019s just been more and more inspiring. So that\u2019s why we\u2019re getting creative again!<\/p>\n<p>&nbsp;<\/p>\n<h3><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-8523 size-full\" src=\"https:\/\/altwire.net\/wp-content\/uploads\/2017\/03\/AmyLee01.jpg\" alt=\"Amy Lee\" width=\"600\" height=\"468\" srcset=\"https:\/\/altwire.net\/wp-content\/uploads\/2017\/03\/AmyLee01.jpg 600w, https:\/\/altwire.net\/wp-content\/uploads\/2017\/03\/AmyLee01-300x234.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><em><strong>&#8220;In life, sometimes your emotions are a huge hurricane of stuff and other times it\u2019s just one little simple thought&#8230;.&#8221; &#8211; Amy Lee<\/strong><\/em><\/h3>\n<p>&nbsp;<\/p>\n<p><strong>AW: With the recent re-emergence of Evanescence, naturally the question on everyone\u2019s minds is: What\u2019s coming next? &nbsp;You\u2019ve been hinting a little bit lately about a \u2018unique\u2019 project with the band that\u2019s different from the normal Evanescence fare. While I understand your desire to remain tight-lipped, are there ANY details you can spare on this project?<\/strong><\/p>\n<p><strong>Amy Lee: <\/strong>I am going to spill <em>all<\/em> of the details on this project in about a month &#8211; I just need to give it some time. I know that\u2019s annoying for a journalist, but the core of it is getting to hear Evanescence in a new way. It really is. It\u2019s not just \u2018the next Evanescence album\u2019 &#8211; it\u2019s something else, and it\u2019s definitely challenging.<\/p>\n<p>It\u2019s from a place where it still connects absolutely to the core of what the band is, but it\u2019s forcing everyone to try new things and work outside of our comfort zone completely, and work in new elements. So I\u2019m very excited about it, and that\u2019s what I\u2019ve been spending the majority of my time doing during all of this stress for all of the other things in the background. I\u2019m just working over a bubbling cauldron of stuff over here! I\u2019m very excited about it, and I really hope the fans are too when they hear what it is, but I can\u2019t give any other information than that right now.<\/p>\n<p><strong>AW: While the upcoming project is still very hush-hush, perhaps you can give your input on this: Now that you have a strong new lineup, do you have an idea of what direction you\u2019d like the band to head in? Not exactly just with this album, but what you would like to achieve with future Evanescence material over the next few years?<\/strong><\/p>\n<p><strong>Amy Lee:<\/strong> Um, I see how you\u2019re trying to be tricky and just get more information out of me about the \u2018thing\u2019!<\/p>\n<p><strong>[We both burst out laughing]<\/strong><\/p>\n<p><strong>Amy Lee: <\/strong>BUT [laughs] I feel that would just be giving it away! So, this is just a very general statement, because I don\u2019t have a specific direction for the next-next-thing &#8211; although we\u2019re starting to formulate that already \u2013 but I\u2019m starting to learn that less is more, in a way. Evanescence, for me, has always been this place where every single thing you can imagine is in there.<\/p>\n<p>We\u2019ve used so many tracks that pro tools can\u2019t handle it, and it\u2019s an issue. So with all the strings, the programming, the guitars, the background vocals, and all of these things that go into our music, as wonderful as that all is, I\u2019ve come to realize that sometimes you\u2019re not hearing all that we\u2019re doing because of all that is going on. I\u2019ve come to <em>sometimes<\/em> enjoy being able to hear just one thing at a time a little bit.<\/p>\n<p>That being said, that\u2019s not meant to really describe anything other than that my headspace right now is that I can appreciate moments of simplicity, and I think that\u2019s important. I think that\u2019s an important direction for us to think about in the future, that everything doesn\u2019t always have to be so full or so complicated. Because in life, sometimes your emotions are a huge hurricane of stuff and other times it\u2019s just one little simple thought.<\/p>\n<p><strong>AW: <em>Lost Whispers<\/em> was well received by the fan base, but there have been a few songs over the years that were performed live but not released, such as <em>Your Love<\/em> and <em>Find A Way<\/em>. Some fans were hoping to see these on <em>Lost Whispers<\/em>, but they were not included. Will these songs ever see the light of day?<\/strong><\/p>\n<p><strong>Amy Lee: <\/strong>You know\u2026it\u2019s one of those things. Those are a couple of songs that have made it out a little bit, so you\u2019ve heard parts of them\u2026 like <em>Take Cover<\/em>, that\u2019s a B-side of ours that we\u2019ve played live only, and what you don\u2019t know is that there\u2019s this huge pile of songs like that. We\u2019ve got this cool playlist of songs that we\u2019ve got to draw from, of music that didn\u2019t quite make it. Music that got sort of pushed to the side over the years, the ones that didn\u2019t quite make it enough to be recorded.&nbsp;<\/p>\n<p>Like <em>Find A Way<\/em> and <em>Your Love,<\/em> for example, those don\u2019t have full recordings, at least at this point. But that\u2019s not to say that they aren\u2019t any good, and I do hear what\u2019s cool about that music. But it\u2019s nice to have that big bank of stuff because honestly, sometimes the reason it didn\u2019t make it out is because it\u2019s not as good as another song that\u2019s kind of like it. I\u2019ve gotten like that about a few things, and that\u2019s what happened with <em>Your Love<\/em>. I\u2019m trying to think of what it reminded me of where we thought the other one was better, but it\u2019s kind of like that.<\/p>\n<p>Will they ever see the light of day? Well, I have heard a rumor that Legends and Lyrics is planning on releasing the performance we did with <em>Your Love<\/em> on it, so if they do that would be cool! I don\u2019t control it &#8211; if I did, I would\u2019ve done it myself. But it\u2019s kind of funny coming out now because it was so long ago! My hair was chopped off, it was in 2009 or 2010. So we\u2019ll see! It would be nice to watch it actually; I\u2019d like to see it again.<\/p>\n<p><em>Find A Way <\/em>is a cool song! That\u2019s a song that I wrote for a film, I was just trying to get on the soundtrack of this Middle Eastern kind of movie a few years ago and it didn\u2019t make it. I do that all the time. I\u2019ve got a nice pile of \u2018Oh that didn\u2019t work, oh well! Maybe I\u2019ll come back to that when it makes sense.\u2019<\/p>\n<p>When we go to the next place, or the next album, it\u2019s always like that. We go to the pile! Even if it\u2019s not that we use a whole song, sometimes it\u2019s like, \u2018Oh, the verse of this song is great but the chorus could be better\u2026\u2019 and then we can use it, you know? I\u2019ve definitely done that quite a few times.<\/p>\n<p>So we\u2019ll see what happens with those two specifically, I\u2019m not really sure yet. Don\u2019t be shocked if they change! If the chorus is done and all of a sudden it has a different name, well that\u2019s just too bad [laughs].<\/p>\n<p><strong>AW: Beyond what we\u2019ve already discussed, what can fans expect from both you and Evanescence in the year ahead?<\/strong><\/p>\n<p><strong>Amy Lee:&nbsp;<\/strong>We will be releasing something this year! So there is definitely stuff to be looking forward to in the very near future. In two weeks we\u2019re going to be going on a tour in South America, and then shortly after that we\u2019re going to be playing a European tour, and it\u2019s a pretty significant and kind of long one. So we\u2019ll be seeing fans, and you can come see us live, and meanwhile we\u2019ll be working on this new thing that will be out this year. So I think there\u2019s a lot on the horizon for the band.<\/p>\n<p>I do plan on doing more solo stuff, but it\u2019s kind of nice that it\u2019s been sort of piecemeal, because like I was talking about before, the recording process gets to be this big thing and I need an outlet from it. It\u2019s nice to be able to record a song for a film every once in a while, and do a song on my own, and I definitely have some ideas about my next covers EP. So I\u2019ll be doing that at some point when I have a free moment\u2026<\/p>\n<p><strong>AW: [deadpan]\u2026which never happens.<\/strong><\/p>\n<p><strong>Amy Lee:&nbsp; <\/strong>NEVER! All free moments I spend with Jack. [laughs]<\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\">Amy Lee &#8211; &#8220;Speak To Me&#8221;:<\/h2>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/lB8ZsjMhy5M\" width=\"560\" height=\"340\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>As arguably one of the best voices in music today, Amy Lee manages to add a unique element to any &#8230; <a title=\"Entrevista a Amy Lee: Libertad art\u00edstica y nueva m\u00fasica\" class=\"read-more\" href=\"https:\/\/altwire.net\/es\/altwire-interview-amy-lee-2\/\" aria-label=\"More on Amy Lee Interview: Artistic Freedom and New Music\">Leer m\u00e1s<\/a><\/p>","protected":false},"author":2,"featured_media":8522,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","transcript_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[98],"tags":[36],"class_list":["post-8519","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","tag-notables","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/posts\/8519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/comments?post=8519"}],"version-history":[{"count":0,"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/posts\/8519\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/media\/8522"}],"wp:attachment":[{"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/media?parent=8519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/categories?post=8519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/tags?post=8519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}