{"id":12822,"date":"2020-04-04T13:42:51","date_gmt":"2020-04-04T17:42:51","guid":{"rendered":"https:\/\/www.altwire.net\/?p=12822"},"modified":"2022-06-01T09:09:05","modified_gmt":"2022-06-01T13:09:05","slug":"album-review-tetema-necroscape","status":"publish","type":"post","link":"https:\/\/altwire.net\/es\/album-review-tetema-necroscape\/","title":{"rendered":"t\u0113t\u0113ma \u2013 Necroscape \/ Rese\u00f1a del \u00e1lbum"},"content":{"rendered":"<h4><a href=\"https:\/\/www.ipecac.com\/artists\/tetema\" rel=\"noopener\">T\u0113t\u0113ma<\/a>&#8216;s brilliant Necroscape wows in its artistic complexity. Read our full review below.<\/h4>\n<p><strong>Mike Patton <\/strong>is an immensely talented dude, but anyone familiar with his work across his numerous bands and projects (and there are a lot\u2026) knows there\u2019s a brand of mercurial eccentricity that he brings to the table no matter what endeavor he\u2019s involved in. Some may say it\u2019s a side effect of genius, others might say he\u2019s just on another plane of existence.&nbsp;<em>Necroscape<\/em> slots in quite nicely between the two ideas and, in partnership with <strong>Anthony Pateras<\/strong>, provide a fascinating insight into creative minds unperturbed by artistic convention.<\/p>\n<p>Chaos reigns throughout&nbsp;Necroscape&#8217;s&nbsp;thirteen tracks with fleeting moments of tranquil melody ripped away by bursts of rampant beats provided by the very talented Will Guthrie, who evidently thinks that sticking to a set tempo is for suckers. But it\u2019s Pateras\u2019 manipulation of tape loops and analog synthesizers that provides the base layer to unleash this circus of miscreants through the use of haunting soundscapes and heavily modulated saw waves.<\/p>\n<p>Mike Patton acts as the ring leader demonstrating a vocal range seldom heard by one human being, never mind on one body of work. Switching between high and low octaves then unleashing death-metal screams, his work here is completely unpredictable from one minute to the next, but is consistently mesmerizing. The final piece of the non-linear puzzle is violinist Erkka Veltheim whose instrument is mostly offered as a layer of distortion where one might normally expect a guitar.<\/p>\n<p><a href=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/04\/2.png\" data-lasso-id=\"2892\" data-old-href=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/04\/2.png\" data-old-><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12824\" src=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/04\/2.png\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/04\/2.png 800w, https:\/\/altwire.net\/wp-content\/uploads\/2020\/04\/2-300x169.png 300w, https:\/\/altwire.net\/wp-content\/uploads\/2020\/04\/2-768x432.png 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<p>A brief offering of traditional structure comes in the form of the hypnotic <em>Wait Til Mornin\u2019<\/em> which Pateras describes as <em>\u201cPeter Gunn on methamphetamine with RD Burman as co-pilot, being pursued by Madlib through an early 80s London industrial estate\u201d<\/em>\u2026 There is an unsettling nature to much of the album.<\/p>\n<p>For instance lead single <em>Haunted on the Uptake<\/em> sounds like someone dialed up <em>Broken<\/em> por <strong>Clavos de nueve pulgadas<\/strong> to new levels of depravity reminding the listener that sometimes brilliance isn\u2019t pleasant. Although that is the case for the majority of the album, there are a few moments that are a little too left-field that leave the listener with a bit of a \u201cwtf\u201d expression \u2013 more so than the rest of <a href=\"https:\/\/altwire.net\/es\/diez-riffs-sabrosos-el-material\/\">El material<\/a> (if that\u2019s even possible\u2026listen and you\u2019ll know!)<\/p>\n<p><em>Necroscape<\/em> is a multi-layered atmospheric odyssey that pushes beyond the boundaries of traditional creativity. Mike Patton and Anthony Pateras have done something that not many musicians dare to do anymore and that is to create art that is totally unique and actually challenges the listener.<\/p>\n<p>Yes, this album will be an acquired taste and will predominantly appeal to those who believe music is more than just structured sounds. But for anyone who <em>gets<\/em> the work that has been put in here, they are in for a listening experience unlike any other.<\/p>\n<p>Though not without moments of excessive abandon, overall I implore anyone to listen to <em>Necroscape&nbsp;<\/em>in full and to not feel enthused. There were moments listening to the record where I felt like I was in some kind of sonic psychosis, and I encourage anyone willing to come forward and partake to hear what I mean. In a way, <em>Necroscape<\/em> is the perfect record to parallel the crazy times we currently find ourselves in.<\/p>\n<p>RATING:<strong> B<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>T\u0113t\u0113ma&#8216;s brilliant Necroscape wows in its artistic complexity. Read our full review below. Mike Patton is an immensely talented dude, &#8230; <a title=\"t\u0113t\u0113ma \u2013 Necroscape \/ Rese\u00f1a del \u00e1lbum\" class=\"read-more\" href=\"https:\/\/altwire.net\/es\/album-review-tetema-necroscape\/\" aria-label=\"More on t\u0113t\u0113ma \u2013 Necroscape \/ Album Review\">Leer m\u00e1s<\/a><\/p>","protected":false},"author":93,"featured_media":12823,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","transcript_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[2,4,3],"tags":[],"class_list":["post-12822","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-album-reviews","category-reviews","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/posts\/12822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/users\/93"}],"replies":[{"embeddable":true,"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/comments?post=12822"}],"version-history":[{"count":0,"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/posts\/12822\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/media\/12823"}],"wp:attachment":[{"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/media?parent=12822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/categories?post=12822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/altwire.net\/es\/wp-json\/wp\/v2\/tags?post=12822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}