{"id":12533,"date":"2020-03-08T12:22:08","date_gmt":"2020-03-08T16:22:08","guid":{"rendered":"https:\/\/www.altwire.net\/?p=12533"},"modified":"2020-03-08T12:30:57","modified_gmt":"2020-03-08T16:30:57","slug":"altwire-listening-to-03-08","status":"publish","type":"post","link":"https:\/\/altwire.net\/de\/altwire-listening-to-03-08\/","title":{"rendered":"Was h\u00f6rt AltWire? Woche vom 8. M\u00e4rz"},"content":{"rendered":"<p>Welcome, friends, to another brand new weekly AltWire series!<\/p>\n<p>We here at AltWire are all (unsurprisingly) huge fans of music, so every Sunday we\u2019d like to put our heads together for a \u2018What Are AltWire Listening To?\u2019 \u2013 Simply put, every week we share our most listened to album of the week with a little commentary from ourselves, just in case we can convince you to check out our albums of the week!<\/p>\n<p><strong>Was h\u00f6rt Jessie Lopez? <\/strong><\/p>\n<p><a href=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Wage-War-Pressure.jpg\" data-lasso-id=\"2775\" data-old-href=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Wage-War-Pressure.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12534 size-thumbnail alignnone\" src=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Wage-War-Pressure-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Wage-War-Pressure-150x150.jpg 150w, https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Wage-War-Pressure-300x300.jpg 300w, https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Wage-War-Pressure-840x840.jpg 840w, https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Wage-War-Pressure-768x768.jpg 768w, https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Wage-War-Pressure.jpg 1200w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p><strong>Artist: Wage War<br \/>\nAlbum: Pressure (2019)<br \/>\nGenre: Metalcore<\/strong><\/p>\n<p>\u201cThis album is really everything I look for when it comes to what I enjoy in metal. From the more meaningful tracks that I can really relate to like &#8220;Will We Ever Learn&#8221; to &#8220;Low&#8221; and &#8220;Take The Fight&#8221; that get me hype and ready to go after vocalist <strong>Briton Bond <\/strong>drops that &#8216;blech&#8217;. I will most likely have this album on repeat for a few weeks and keep coming back to it.\u201d<\/p>\n<p><strong>Was h\u00f6rt Derek Oswald?<\/strong><\/p>\n<p><a href=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Justice.jpg\" data-lasso-id=\"2776\" data-old-href=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Justice.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-12535\" src=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Justice-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Justice-150x150.jpg 150w, https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Justice.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p><strong>Artist: Justice<br \/>\nAlbum: Cross (2007)<br \/>\nGenre: Electronic\/House<\/strong><\/p>\n<p>\u201cI&#8217;ve been spending much of my time this week revisiting <strong>Justice<\/strong>&#8216;s 2007 album <em>Cross <\/em>(self-titled on digital platforms), as it&#8217;s always been one of my favorites. The crunchy bass lines of &#8220;Genesis&#8221; and &#8220;Let There Be Light&#8221; helped shape and inspire and shape my sound as an electronic artist, and continue to do so 13 years after the release of this record. With almost 400 albums being sampled for use on <em>Cross<\/em>, I consider it to be the electronic music equivalent of <em>Paul&#8217;s Boutique. <\/em><strong>Justice<\/strong> are heroes of mine, and this is a truly fantastic album!\u201d<\/p>\n<p><strong>Was h\u00f6rt Elysant Avery?<\/strong><\/p>\n<p><a href=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Eminem_-_Kamikaze.jpg\" data-lasso-id=\"2777\" data-old-href=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Eminem_-_Kamikaze.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-12536\" src=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Eminem_-_Kamikaze-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Eminem_-_Kamikaze-150x150.jpg 150w, https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Eminem_-_Kamikaze.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p><strong>K\u00fcnstler: <a href=\"https:\/\/altwire.net\/de\/album-review-eminem-revival\/\">Eminem<\/a><br \/>\nAlbum: Kamikaze (2018)<br \/>\nGenre: (<a href=\"https:\/\/altwire.net\/de\/neugieriger-hip-hop\/\">Hip-hop<\/a>)<\/strong><\/p>\n<p>\u201cThe <em>Kamikaze<\/em> album by <strong>Eminem<\/strong> is one of my favorites. It has an old school feel that <strong>Eminem<\/strong> had seemed to be lacking in his last few albums but, he came out fighting with this one. <strong>Eminem<\/strong> is known to be one of the most incredible lyricists in our time, and this album showcases his talent and wordplay. To me, this is a breakout album we have been waiting for from him. He doesn\u2019t care what others think or who he disses; this album is just <strong>Eminem<\/strong>, not caring, and doing what he does best.\u201d<\/p>\n<p><strong>Was h\u00f6rt Mark Stoneman? <\/strong><\/p>\n<p><a href=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Hannibal-scaled.jpg\" data-lasso-id=\"2778\" data-old-href=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Hannibal-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-12537\" src=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Hannibal-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Hannibal-150x150.jpg 150w, https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Hannibal-300x300.jpg 300w, https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Hannibal-840x840.jpg 840w, https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Hannibal-768x768.jpg 768w, https:\/\/altwire.net\/wp-content\/uploads\/2020\/03\/Hannibal-scaled.jpg 1280w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p><strong>Artist: Brian Reitzell<br \/>\nAlbum: Hannibal Season 3 Volume 2 OST (2015)<br \/>\nGenre: Soundtrack <\/strong><\/p>\n<p>\u201cIn my recent creative writing I\u2019ve needed to tap into the kind of material that fits a certain horror\/thriller mood. With the subject material being darker in direction, I usually turn to one of three albums: the heart-breaking <strong>Buckethead <\/strong>album <em>Pike 13<\/em>, the brilliant <strong>Akira Yamaoka <\/strong>masterpiece <em>Silent Hill 2 OST<\/em>, or (more recently) <strong>Brian Reitzell<\/strong>\u2019s stunning <em>Hannibal Season 3 Volume 2 OST<\/em>. As a huge fan of the series, the album holds a special place in my heart. As a writer, it\u2019s an invaluable source of inspiration for the darkest corners of my head.\u201d<\/p>\n<p>Until next Sunday, that\u2019s it for <em>Was h\u00f6rt AltWire?<\/em> \u2013 why not share with us your most listened to album of the week with a little comment of your own?<\/p>\n<p>Thanks for reading!<\/p>","protected":false},"excerpt":{"rendered":"<p>Welcome, friends, to another brand new weekly AltWire series! We here at AltWire are all (unsurprisingly) huge fans of music, &#8230; <a title=\"Was h\u00f6rt AltWire? Woche vom 8. M\u00e4rz\" class=\"read-more\" href=\"https:\/\/altwire.net\/de\/altwire-listening-to-03-08\/\" aria-label=\"Mehr zu What Are AltWire Listening To? Week of March 8th\">Weiterlesen \u2026<\/a><\/p>","protected":false},"author":44,"featured_media":12539,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","transcript_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-12533","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"_links":{"self":[{"href":"https:\/\/altwire.net\/de\/wp-json\/wp\/v2\/posts\/12533","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/altwire.net\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/altwire.net\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/altwire.net\/de\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/altwire.net\/de\/wp-json\/wp\/v2\/comments?post=12533"}],"version-history":[{"count":0,"href":"https:\/\/altwire.net\/de\/wp-json\/wp\/v2\/posts\/12533\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/altwire.net\/de\/wp-json\/wp\/v2\/media\/12539"}],"wp:attachment":[{"href":"https:\/\/altwire.net\/de\/wp-json\/wp\/v2\/media?parent=12533"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/altwire.net\/de\/wp-json\/wp\/v2\/categories?post=12533"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/altwire.net\/de\/wp-json\/wp\/v2\/tags?post=12533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}